Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals, and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks -- unleashed in unpredictable disruptions. Features Moor Mother, Odwalla1221. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin's development as an artist since her debut in 2015.