With half the band having left their native Texas for New York, Readjusting the Locks is the first Institute album written across the country. Where the previous Institute albums often wandered into the experimental, Readjusting the Locks strives to be economical, its 13 tracks clocking in at a tight 29 minutes. The band has seamlessly incorporated more ’77 rock n’ roll into their sound, some songs feeling like they could’ve been a Stiff Records single. This sound is emphasized by Greenberg’s expert production — crisp but still blown out and dirty. Lyrically, Readjusting the Locks moves away from the traditionally personal words of frontman Moses Brown. Rather than attacking the internal workings of his brain or its socialization, as on previous records, this album attempts to address the societal atmosphere in which his agita exists.