Milan, 1979, only two years had passed since the explosion of punk but it seemed like ten years had passed, 1977 had inexorably changed the destiny of a generation of musicians. The music scene was totally disconnected from the rest of the Italian underground, the bands were born and imploded within a few months. The concerts at the 2001 Odyssey, a club where almost all the really important post-punk bands performed, were fundamental to understand and feel part of something that resembled a revolution, a movement that in those years produced little in terms of discography but that today, after almost forty years, Spittle Records reveal the absolute uniqueness of the proposals of the protagonists of that Milanese season. Sharp guitars, primordial drum machines, synthesizers bought at a high price and 4-track cassette recorders were the tools used to affirm their belonging to a creative movement that developed simultaneously throughout Europe. Concept and compilation by Fred Ventura. File under: minimal synth, post-punk, synth-pop, punk funk, no wave.